Stories

TitleDateExcerpt
The Museum’s Storage Room as a SubjectA museum storage room is usually understood as a place of delay. Objects wait there between exhibitions, conservation treatments, loans, acquisitions, and…
The Basement Gallery: Low Light and Low CeilingsA basement gallery changes the terms of looking. The visitor leaves behind the broad, even brightness associated with a white cube and enters a compressed…
The Empty Frame and the Work of LookingAn empty frame appears to offer a simple proposition: something has been removed, leaving only an outline behind. Yet the frame is never neutral. It directs…
The Artist’s Signature: Identity and StyleAn artist’s signature is more than a repeated image, a preferred colour, or a recognisable technique. It is the felt coherence that emerges across a body of…
The Silence at the End of the WorkA work of art does not stop speaking when the making ends. Its materials may become still, its performers may leave the room, and its tools may disappear from…
The Artist’s Death: Legacy and EstateAn artist’s work can continue to speak long after the studio falls quiet. Paintings, sculptures, videos, performances, recordings, notes, photographs and…
When Presence Takes The Form Of AbsenceAn artist can be missing from an artwork in several ways. The body may be absent, a voice may arrive only as a trace, or an empty area may carry more emotional…
The Language of Rush: Weaving as TimeRush is a humble material with an expansive vocabulary. It bends, dries, frays, tightens and softens according to touch, weather and duration. In woven form,…
Roulette without a deposit: a smarter way to explore online playOnline roulette has an immediate appeal: a clear table, simple rules, and a pace that can feel either relaxed or intensely engaging. For newcomers, the…
The Blank Face: Portraiture And ExpressionA face usually promises access. We look for a smile, a furrowed brow, a fixed gaze, or some other visible sign that might tell us what a person feels.…