An artwork is never completed by the artist alone. Materials, gestures, images, sounds and spaces may be carefully composed, yet meaning continues to shift…
Two paintings hang three metres apart on a pale plaster wall in a converted warehouse in Chippendale. A visitor walks into the room, pauses at the doorframe,…
Sound moves through air the way light moves through glass, shaping what we perceive before we have language for it. Within the expanded field of contemporary…
A figure stands beneath a single bulb. The lamp moves; the silhouette stretches, contracts, collapses. The performance is over almost before the audience…
Stained glass is often associated with cathedrals, memorial windows, and the coloured sunlight of older buildings. Yet its essential language is broader than…
A draft of trembling silk in the corner of a doorway reads, at first glance, as neglect. Look longer, and the structure reveals itself as something else…
Afternoon sun slants through the tall windows of a converted wool store in Melbourne's inner north on a slow midweek arvo and catches what the morning sweep…
A feather appears fragile because it belongs to the air. Its structure is light, flexible and finely divided, yet it carries a precise architecture: a central…
The bone is the first sculpture. Long before any chisel touched marble in Carrara, before bronze cooled in Benin or alloy cooled in the Andes, the skeleton was…
Hair has long carried meaning beyond the body from which it falls. As a sculptural medium, it offers a paradox: at once intimate and discarded, biological and…