Paper rarely behaves as a neutral ground in the studio. It buckles under a glass of water left too close to the elbow, yellows at the edges where the afternoon…
Plastic belongs to the present in a way few materials can avoid. It is in the casing of a phone, the lining of a medical package, the surface of a playground,…
Glass promises access. It allows the eye to travel through a room, across a street, or towards an object held behind a pane. Yet the same transparent surface…
Stone carries a physical burden before it carries an idea. It has mass, density, temperature and resistance; it occupies a room with quiet authority. In visual…
Carved wood carries a record of contact. Its surface preserves the direction of growth, the pressure of a blade and the pauses made by a hand deciding how far…
For thousands of years, the act of pressing matter into a hollow has allowed artists to fix fleeting gestures into durable form. Clay receives impressions with…
A braid is easy to recognise, yet difficult to reduce to a single meaning. It can be a hairstyle, a binding method, a line of movement, a record of labour, or…
There is something quietly radical about a knot. Long before the canvas or the bronze, humans looped fibre around fibre to make a thing hold its shape. The…
For most of the twentieth century, the drawn line and the sewn line sat in separate rooms of the art school. One belonged to the life drawing studio, the other…