Wax and plaster occupy a distinctive place in my practice because they hold two opposing conditions at once. They can preserve and conceal, soften and harden,…
Sound changes the way an installation occupies a room. It can seem to come from a visible object, travel through an unseen passage, settle into a corner, or…
Mourning objects carry a charge that exceeds their material form. A garment, photograph, letter, vessel, bed, recording, or fragment of domestic life may…
A studio practice shaped by ritual begins with attention. The artist returns to certain actions, materials, gestures, or arrangements often enough for them to…
Representation and the body are closely connected in visual art because every image, object, gesture, and trace carries an idea of human presence. A body can…
Video art occupies a strange position between stillness and movement. It can preserve a gesture while allowing time to continue, hold a face at the edge of…
An artist’s archive is often mistaken for a storage problem: boxes of notes, photographs, failed objects, exhibition plans, hard drives, scraps of fabric, and…
In performance art, the voice is more than a carrier of words. It is breath, vibration, rhythm, hesitation, volume, and physical effort. It can occupy a room…
A minimalist gallery is not defined by empty walls, pale backgrounds, or a reduced colour palette alone. Its deeper purpose is to create the conditions for…
To make art about living presence is to attend to the fact that a body, a voice, an object, or a gesture is never fully still. Even when a work appears quiet,…