Stories

TitleDateExcerpt
When the artist reads aloud: voice becomes the mediumThere is a particular kind of attention that arrives when an artist chooses to read aloud. The page lifts from the lap, the printed word submits to breath, and…
The work table as an object of displayA wooden surface, a steel bench, a kitchen table pushed against a studio wall — these supports sit quietly in the background of almost every creative life. For…
What It Actually Costs to Be an Artist in AustraliaThe figure of the starving artist has been doing cultural work for centuries, usually as a romantic justification for poverty rather than an honest accounting…
The cut and the stitch: wounds in two-dimensional practiceAlexandra Mawimbi's two-dimensional works sit in a peculiar tension. They are flat, bounded by the rectangle of paper or canvas, yet they behave as if…
The Corner as Site: Rethinking Periphery in InstallationCorners are everywhere and nowhere. They belong to the background of architecture, a quiet geometry that holds walls apart and rooms together, yet they rarely…
Looking up: when the ceiling becomes a surfaceFor most of the history of Western painting, the ceiling was the place where artists were granted their most extravagant permissions. The walls held portraits,…
The Floor Piece: Grounding the ViewerA floor piece changes the terms of looking. Rather than presenting an artwork at eye level, safely separated from the body by a wall or plinth, it occupies the…
The Glass Case: Display and Separation in Contemporary PracticeFor centuries the glass vitrine has stood between the viewer and the thing viewed, a quiet negotiator of intimacy and distance. In contemporary practice, this…
Living art and the labour of keeping it aliveA performance begins when a body steps into a space and ends when it leaves. Between those two points lives an artwork that cannot be held in a vitrine,…
When Rehearsal Becomes the Performance ItselfThe week before opening night at Sydney's Carriageworks, audiences lined up to see Marina Abramović's rescreening of her seminal works, but the real…